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Archive for the ‘José González’ Category

This is the fourth installment of a weekly collection of the “latest and greatest.” I post two newly discovered songs that have captured my attention and two of my longtime (word of warning, this will be a relative term) favorite songs that are building up dust in my music library.

THE LATEST

Eagle’s Nest by Caroline Smith & The Good Night Sleeps
Last night, in a last-minute bout of spontaneity, I decided to run downtown to check out Caroline Smith & The Good Night Sleeps. They played at The Living Room, a low-key, casual venue in Manhattan’s Lower East Side. Caroline has an understated, familiar vibe—she’s the wholesome girl next door, with a funky edge. But when she opens her mouth, her beautiful voice hits you in the face and reminds you of her incredible talent.

The modern, indie-folk sound of Caroline Smith & The Good Night Sleeps filled the room from the very first note. Caroline’s voice is unique, quivering, yet controlled, with a timeless essence of Billie Holiday. Her songs are weighty, the melodies etching themselves into you to last long after the final chord.

My favorite of her songs is Eagle’s Nest, from their September release of Little Wind, a haunting tune about the origin of a daughter’s worth. The song starts off slow; Caroline’s voice is only accompanied by the piano and acoustic guitar and eventually soft drumkit after the first minute. But then the song builds to a powerful crescendo, repeating the following line over and over again:

So bind up the French doors and lace your leather tight
I am taking you to the eagle’s nest tonight”


Elegy by Hey Marseilles

On Tuesday, the Seattle-based group Hey Marseilles will be releasing Elegy, a new 7-inch and the band’s first recording since To Travels & Trunks. In a conversation with Matt Bishop (which will take up a full post soon), the lead singer of the seven-man crew, I learned a little about the band’s instrumental roots:

“We kind of backed our way into the genre that we find ourselves in, in that we were just a group of guys who really enjoyed the complexity of instrumental arrangements and combining that with a pop melody so ultimately it ends up being a very kind of soft sound, in that it has a lot of cello, viola, and acoustic guitar, accordion, it’s not particularly edgy in any auditory way,” explained Bishop. “But it’s also not Americana. You know, it’s not based in the American folk musician tradition. It’s more based in the pop tradition and supported by the complexity of the instrumental arrangements that we have the strength for.”

The Elegy 7-inch is an exciting preview for the Hey Marseilles’ highly anticipated sophomore album, which is expected to hit the stores in early 2012. In the meantime, Elegy and Café Lights demonstrate the band’s maturation and growth, while remaining true to the Hey Marseilles character, with trumpets and strings layered to create a textured, unique sound.

Unfortunately the song is not available to preview yet, so I don’t have a link to stream. As soon as it’s available I’ll put it up. And trust me, it’s worth the wait.

THE GREATEST (covers edition)

Heartbeats by José González
José González plays a mean guitar. This Swedish troubadour’s gripping acoustic reinterpretation of the Knife’s “Heartbeats” rips my heart out every time I hear it. Clocking in at well under 3 minutes, Heartbeats is probably his best-known number and is the centerpiece of his 2006 debut-album Veneer. The gently plucked guitar is the only accompaniment González’s hushed tenor needs. Through his unadorned approach, he has created a modern folk classic.

Make You Feel My Love by Adele

In the spirit of brilliant covers, I am struck time and again by Adele’s rendition of Make You Feel My Love by Bob Dylan. As with much of Dylan’s music, which is better heard through the voices of others, Adele breathes new life into Dylan’s beautiful lyrics.

“I could make you happy, make your dreams come true
Nothing that I wouldn’t do
Go to the ends of the earth for you
To make you feel my love.”

There are not enough words to describe Adele. She popped onto my register a year and a half ago, when one of my favorite Pandora stations continued to feature songs from 19, her critically acclaimed debut album. Her soulful voice has been compared to the likes of Kate Nash and Amy Winehouse. Adele has earned every accolade with her powerhouse vocal delivery.

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